沉稳从容又不哗众取宠的黑白影像人物走位及场外声响设计巧妙神喻显灵oh my god(两年后是同类型的英格玛伯格曼大师的《演播室》1957)
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“That morning I wept. I wept because I loved the streets that took me away from Henry... and would lead me back to him. I wept because from now on I would weep less. I wept because I had lost my pain, that I was not yet accustomed to its absence.”
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